Busy!

drink:




eat:




dress:



dress:



dress:



sleep:



(okay, yes, that's Xander sleeping, but trust me - he's a helluva lot cuter than me sleeping! Plus I think it's adorable that he plants himself wherever I've been the most - so since I've been doing a lot of sewing lately, he's curled up by my sewing machine. And I know I promised not to post too many pictures of my cats, but COME ON! That's freaking adorable!)


Occasionally I even knit:


Okay, so I haven't photographed any of that lately. Hey, did I mention I've also been working full-time at my temp job? Yikes!

Working from Home

This is how my mornings usually go when I'm working from home. I get up at around 7 (okay, 7:30) and get some coffee and turn on my computer. I open Firefox and my mail, and I've already drunk the first cup of coffee, so I get another cup (and manage to drink this one slowly). I spend approximately two hours doing mostly useless stuff on the computer machine. Some of it isn't so useless, but it's mostly checking out recaps on TWOP, making snarky comments on other peoples' status messages on Facebook, and catching up on the latest inanity on HuffPost.

At some point, I realize that I am hungry, and I spend 20 minutes trying to find something to eat that doesn't require any actual preparation. By the time I realize that I need to actually prepare something, I give up and have a bowl of cereal. By this time, it's 10:30 and I'm awake enough to try to get some work done.

Four hours later, I'm still in my pajamas, I'm hungry again, I haven't brushed my teeth, and my feet hurt because I'm standing there barefoot. I'm also not being very productive, because I haven't put my contacts in, and it's amazing how inefficient you can be when you can't see what you're doing.

New plan: one cup of coffee, oatmeal, brush teeth wash face get dressed put in contacts and go to work! I'll let you know how it turns out.

I'm making a Hawaiian wedding dress for a friend of mine whose wedding is the 30th of this month. She's pregnant, so the plan is to make a dress that can be quickly and easily altered if necessary, and that gives room for the baby belly. She lives in Houston, so fittings are tricky. She flew in last week for a first fitting, and although I took photos for my reference, she really doesn't want pics of what she calls "The Casper Dress" (because the mock-up is in white muslin) being shared, and of course I respect that!

So here's a pictorial diary of the process, sans human body:

First off, padding my size 6 dress form to resemble an actual human woman (as opposed to an LA actor-size woman.)

First, I used an old tee as the base for the padding:



Then added a layer of batting over that:



And then tacked the batting to the tee using a really long whipstitch:



I then draped a fitted sloper in muslin and sewed it into shape:



And fitted it over the padding, safety pinning the back and adding a bra in the size of my client:



I padded it out to a standard size 12, so that I can use it again. Then I can customize the hips, bustline, and waist to the size of the person I'm draping for. For this one, I am also adding a "baby belly" section.

At some point I'll put a zipper in and finish the raw edges so the entire thing is encased, but right now I am working on the wedding dress!

Draping it was so much fun! I love being able to throw fabric on a form and be able to see right away what it looks like, as opposed to flat pattern drafting. The first fitting went pretty well, and now I'm adjusting the pattern and doing a second mock-up. The challenge here is that I won't see the bride again until three days before the wedding, so I'm putting seams in strategic places and building room into them. We've also done an elasticized back -- similar to a sundress -- both for her comfort and to allow for any changes her body may go through in the next few weeks.

This is such a challenge, and so much fun! I'll be posting followup pics as I get them done.

Making A Dress Form: Part 1: Fasten your seatbelts, it's going to be a bumpy night.

This is Part 1 of a Four-Part Series.

It's important to mention that I made mistakes which required a lot of work later on, probably doubling or tripling the time required to make this. My methods aren't recommended, but are posted here in case you should decide to attempt this yourself, only to find yourself covered in wallpaper paste and soggy newspaper seriously considering taking a hammer to the whole project. Hang On, Little Tomato!

Also I must mention the fabulous resource from Threads Magazine, which is what inspired me to attempt this in the first place.

Step One: Mistake One: Acquiring Plaster Bandages

If you're anything like me, you're trying to do this on the cheap. This is one place you SHOULD NOT SKIMP.

I started with about ten yards of 4" wide bandages and five yards of 8" wide bandage, which I acquired at a local craft store. It was nowhere near enough. Skip the craft store entirely and order an obscene amount of plaster bandages from an online medical supply company.

Fixer: I'd purchase this. That's 60 yards of bandages for about $50. You probably won't use ALL of that, but you'll be glad you had it. Trust me.

Step Two: Mistake Two: Preparing the Model

I thought I'd be clever and avoid ruining a shirt by wrapping Jessica in a garbage bag. I was also concerned about the compression that a tight-fitting shirt would give me. This was a bad idea on so many levels. First off, the garbage bag is slippery, and moved around her body when I was applying the bandages, making it really difficult to get a good impression. Secondly, the heat trapped by the plastic made her even more uncomfortable.

Fixer: Buy a cotton/spandex shirt from a thrift store or something and fit it to your model, making a mock-turtleneck at the top and adding some extra at the bottom to accommodate for the length you want the form to be. You could even buy some fabric and make a simple, form-fitting shift dress. You'll want to be sure it has sleeves, and enough length to cover the body nearly to the knees.

Your model will also want to wear something UNDER this shift, because you'll be cutting it off her. Also have her wear whatever foundation undergarments she's accustomed to wearing. (I was making this dress form so that I could drape her wedding dress, and wish I had made her purchase the breast-enhancing bra BEFORE I made the dress form!)

Jessica is about the most fidgety person I know, and had a heckuva time standing still while I did this. Make your model practice standing in one place. She should figure out what the most comfortable position is and make any adjustments BEFORE you start covering her in plaster bandages. You may also want to come up with a simple arm support system so that she can hold her arms slightly away from her body.

About two hours before the plastering, feed and hydrate your model. Right before starting, put the dress or tee on your model and send her to the bathroom. You'll want at least one assistant and a LARGE area in which to work. You don't want your model to be moving at all during this process. Put a big tarp on the floor, preferably NOT plastic to avoid slipping. You'll want a table nearby to hold your bandages and a big tub for water.

Step Three: Mistake Three: Marking the Form

Before plastering, figure out a good way to mark important points on your models body. Once you have all that plaster on her, it's going to be harder to figure out what her true waist is. You know all those measurements you need when you are flat-patterning? You're going to want to be able to mark those on your body form. The easiest way to do this is going to be to do it BEFORE you plaster.

Since I didn't do this, I'm not sure what the best way to accomplish this would be. I would probably start with pieces of 1/4" elastic on the major measurement points: ribcage, waist, hips, armscye. Of course then you have to worry about slippage as you plaster, so maybe you'd want to marker those places in. (You could also sew them in to place when you are making or fitting the shift dress for her) While you're at it, marker the front nape and back nape. Again, since I didn't do this, I'm not sure what the best way to do it will be.

You'll also want to mark the center front and center back as well as the sides. Use a plumb-bob for accuracy. (You can make one with a piece of string tied to a pattern weight or any heavy, symmetrical object)

Another important place to mark: From the floor to wherever you want the bottom of the form to be. This is going to be REALLY REALLY important later on when you want to mount the form on a stand and all of a sudden you have no idea what the bottom of the form should be, since you were inconsistent with your plastering. (well, you probably weren't, but I was!)

Q: Hey! What's up? You didn't get to the part where you actually put the plaster bandages on her body!

A: I know, I know. It's just so darn long already! So I thought I'd throw this over the wall, since I haven't posted in over a week. Don't worry, there is more to come, and some serious editing to do as well!